Odense Zombie Festival – Living Dead på Musikbiblioteket

Den døde pige_frontFra i dag til og med lørdag står Odense i zombierne og horrorens tegn. Yes! Det foregår på Musikbiblioteket, lige ved siden af Odense Banegårdscenter — så det bliver ikke lettere at komme til 🙂

Gys og horror er genrer, som de fleste af os forholder os til. Det er noget, der på en gang skræmmer og drager os som mennesker. Ikke mindst zombien har en lang og fascinerende historie. Fra George A. Romero leverede sin udødelige filmtrilogi om “The Living Dead” har fænomenet spredt sig på tværs af aldre og medier.

Hen over tre dage går vi i dybden med en bred vifte af kulturelle tilbud og oplevelser inden for horror-genren, når Odense Zombie Festival skydes i luften. Vi sætter fokus på de mange facetter af horror-fænomenet, Zombie, med en bred vifte af tilbud til alle aldre.

Zombie Festival 2017 afholdes i samarbejde med bl.a. Musikbiblioteket, Odense Zombie Events, Odense Internationale Film Festival, Dansk Horror Selskab, Klub Golem, Calibat, Valeta og H. Harksen Productions.

Du kan læse hele programmet her. Da jeg jo er litteraturnørd vil jeg lige slå ekstra på tromme for fredagens og lørdagens (aften) program.

Fredagens tema er ZOMBIER I LITTERATUREN. Her kan du møde Patrick Leis (hvis Necrodemic-saga er på gaden igen) A. Silvestri (som har skrevet Danmarks tykkeste zombie-roman, Pandaemonium) og Odenses egen eminente horrorforfatter Martin Schjönning. Receptionen for hans nyeste bog, Kværnen, kickstarter fredagens program kl. 16.00.

Lørdag aften kl. 19.30 er temaet THE LIVING DEAD PÅ MUSIKBIBLIOTEKET. Det indledes med et arrangement, hvor Klub Golems egen maestro Ras Bolding spiller uhyggelig underlægningsmusik til oplæsning af horrorhistorier. Der er oplæsning af tre lokale forfattere, der alle bl.a. har tilknytning til H. Harksen Productions: Niels Ole Busk (som læser op fra horror- og krimiromanen Den døde pige, hvor brutale og okkulte mord foregår i Odense), Nikolaj Johansen samt mig selv, Henrik Sandbeck Harksen. (Bemærk at arrangementet er rykket til kl. 19.30, og altså ikke starter kl. 19.00, som oprindeligt skrevet.)

Derefter er der koncert med Ras Bolding efterfulgt af uhyggelige, klassiske film til søndag morgen.

What’s not to like?

 

Fantasticon 2012 Here I Come:-)

This weekend (June 1-3) I’ll be in Vanløse, near Copenhagen — at the Fantasticon 2012. It’s going to be a great, great event, and I am really looking forward to it. And I love the theme this year: The Apocalypse.

I’ve gone to the Fantasticon the last two-three years, and I’ve always enjoyed it. This year is going to be different, though, because the Powers That Be have decided to go for an International, large-scale event. That means, among other things, that I will be on a panel with Ellen Datlow herself! And let me be frank here — my first reaction was a mix of “Oh my god!” and a strange, nervous sound in my throat. One of the greatest editors in the weird fiction field, ever. Wow. Be that as it may, I hope to get some books of mine, edited by her, signed;-)

Besides the panel discussion Saturday (moderated by Ralan Conley; the other illuminaries are Knud Larn and H.H. Løyche, both whom I am looking forward to talk to again, as it’s been to long) I will also be talking a little about Lovecraft (surprise, surprise) — “Cthulhu at the End of the World: Cthulhu Mythos and the Apocalypse.” This earth shaking, paradigm-changing event takes place Saturday.

Yeps, it’s going to be in English. Not exactly perfect English, but English nonetheless;-)

And of course you will be able to buy books from H. Harksen Productions throughout it all (at special con prices, and Danish as well as English books). Come see me at the table, let’s have a chat and just plain fun:-)

My programme:

Saturday 12:00-12:50, Kultursalen
Stories we haven’t seen: The good short story
Ellen Datlow, Knud Larn, Henrik Sandbeck Harksen, H.H. Løyche, Ralan Conley (m)

Sunday 16:00-16:50, Heerupsalen 
Cthulhu at the End of the World: Cthulhu Mythos and the Apocalypse
Henrik Sandbeck Harksen

There are lots of interesting things planned. For instance — you want to see the famous science fiction author Alastair Reynolds? Check. Anne-Marie Vedsø Olesen? Check. Danish zombie epic writer A. Silvestri? Check. The Dark Prince of Danish Horror Steen Langstrup (winner of Dansk Horror Selskabs Award For Best Danish Horror 2011)? Check. Horror writer par excellence Jonas Wilmann? Check.

The list goes on… But you get the picture, right? I urge you to come, if you have the chance. Even if only for an hour or two.

The complete programme can be found here: Fantasticon 2012.

I Am Also A Writer (Inspiration & the Muse – Part II)

I’ll start this blog doing what all the blogging experts say you shouldn’t do: Say what I won’t be talking about in the post.

This is not about the latest publication from my small press, Urban Cthulhu: Nightmare Cities (Next Post #1); it’s not about the next book, which will see publication next week, the John Mayer hardcover Hex Code and Others (Next Post #2); it’s not about the cutting-edge August Derleth treatise by the Derleth scholar John D. Haefele, A Look Behind the Derleth Mythos: Origins of the Cthulhu Mythos (Next Post #3); not about the major website(s) rewamp in the works either (Next Post #4)… And not about my participation in Fantasticon 2012 next weekend. (Next Post #… hm, 1a?)

No, this is about me. More precisely — the fact that I also write. I love being publisher, editor, book designer etc., etc., no doubt about it. But I also love writing, cooking up stories, creating worlds and (hopefully) horrors. And I need to prioritize that part of my creative nature. All too often I put it aside, and while there are good reasons for it (e.g. publishing books with marvelous tales by amazingly talented writers from around the world, not to mention the beautiful illustrations by the just as amazingly talented artists) it is not reason enough, in terms of me staying sane.

I am also a writer. Sometimes I seem to forget it… except for in the wee hours, and in the recesses of my dreaming.

Time to change it. Not at the expense of the H. Harksen Productions projects already in the pipeline (near or far ahead), but to give me the energy to keep it all up. Writing is not only important for my well-being, it is also an important fuel for everything else I do. And yes, there is the so-called “everyday life”, with family, other work etc., but that must never stop me from being me. All me. What good is life if you don’t live? And writing is a major essense of me. And we’re not talking about scholarly kind of writing here (something that generally flows a-ok as it is), we’re talking writing fiction.

First thing I am going to do here is finish a couple of short stories and submit to the proper venues. One in English and one in Danish. The Danish one may not happen, though, since the story may not meet the specific demands for the anthology I have in mind. If I think I can find a proper way to address the demands, without changing too much to the story I want to write, I may give it a go. Otherwise it’ll simply be a good exercise for me. That alone is worth a lot, that’s for sure.

The major writing project, however, is my decision to work on a long story. “Ah, a novel,” you say. If only. You see — it’s much larger, more epic, if you will, than that. So I am going from writing short stories now and then to writing — get ready for it — a tetralogy. Yes, you got it right: A 4-volume Series. Why settle for the lesser evil, eh?;-)

This one, though, is in my native language, Danish. Decided not to make things too difficult, hehe. But International readers of this blog can still read on. My musings about this project are of a somewhat general nature and not particularly on Danish stuff. (Which is why I decided to write this post in English in the first place.)

I think the Series title will be Zombie Zane. “Ooooh,” you say (some with light in your eyes, others more like moaning in despair), “another zombie story.” Well, yes and no. There is a reason for that overarching title, of course (if it stays), but on the whole zombies (or, well, “zombie-like creatures”) will not take up much of the actual page contents.

That out of the way I will not say more about the storyline as such, and instead talk a little about my sources of inspiration — giving you a weird kaleidoscopic impression of what to expect — and some words on “the proper length of a story.” The latter being a sort of reflection on what’s been said on blogs recently by two Danish horror writers, Jonas Wilmann and Michael Kamp.

I am sure there’s more subtle inspirations for this story, and the various elements in it, but here’s a list of authors and works I know have inspired me:

  • H. P. Lovecraft (okay, that one probably surprised no one who knows me the least bit, or who has followed my blog updates just a little; but in this case the inspiration may not be in a way you’d expect, though;-))
  • Thomas Ligotti
  • Marcel Proust (yes, that Proust — more specifically the first book of In Search of Lost Time: Swann’s Way)
  • Steven Hall (The Raw Shark Texts)
  • Neil Gaiman (American Gods, Neverwhere)
  • Gene Wolfe (The Book of the New Sun)
  • Stephen King (inspiring in so many ways)
  • Cormac McCarthy (The Road — although so far it’s only the movie that has inspired me; the book will soon be read, though)

A bizarre blend of material? Sure — the Muses work in mysterious ways, to be sure:-) And you just gotta go with the flow.

Whether I can pull off the idea I have, well, that’s up to the readers to decide. All I know is that I really like the idea and that it just won’t let go, and that I must follow the imperative urge to write it.

“Why 4 volumes?” you now ask, perplexed. Well, in essense because realized not long ago that the idea I had had grown too big, too multi-facetted to work within one volume alone (especially given the ideas I have for — hm, how to say this without giving away spoilers? — layout and the various “voices” in the structure of the storyline). And the idea of writing a trilogy, well, that’s just too mundane nowadays, isn’t it?;-) And Gene Wolfe’s brilliant, if not exactly easily accessible, The Book of the New Sun is in 4 volumes… a huge source of inspiration in many ways… So a tip of the hat to that one in such a way just seemed appropriate somehow.

Could I have it all in 1 single, huge, volume? Sure — but why, if this actually is the most suitable idea? Also, this way I get to have deadlines with fairly frequent intervals, so I have a goal close by, and not in some distant future (several years ahead). That’s probably more motivational for me. And the readers get to start reading the story soon — and perhaps come with suggestions to what they’d like in the future books? Could be fun and cool to do the latter, somehow have people being more actively involved in the process, suggesting ideas, likes and dislikes etc. Of course I already have the framework in place, but that doesn’t mean I can’t add stuff along the way.

That’s assuming there will be any readers, of course. But there’s no need to worry about that now.

Is it the right length for the story? Yes, I think so. Very often when talk focuses on length of a story it’s a critique of the length, the story is too long. A critique often aimed at Stephen King’s novels, for instance. I know what the point is, and I also agree that there’s a certain upper (as well as lower) limit to what a story can bear, in terms of “optimizing” the efficiency of the story, so to speak. But this boils down to what one thinks is the “optimized” story. I know that opinions vary but a tendency seems to be that if there’s “too much” that doesn’t directly move the story onward (often in terms of “action” in some way) then this “fat” ought to have been removed, trimming the story to a more suitable and “effective” size.

That is all well and fine, but what if an important element of the story is the involvement of the cast of characters and their relations? What if the idea is to show a more complete, “well-rounded” complexity than the main (superficial?) plotline? Well, in such cases it would be a shame to use this literary equivalence to Ockham’s Razor, by trimming away the fat — for that “fat” is important to the shapes of this particular story. And what, to some, may appear to be unnecessary is in fact necessary for this particular tale to unfold properly. There is a reason that John Fante’s stories are very different than, say, Gene Wolfe’s, and yet they can be said to have written equally wonderful stories and great works of art.

There’s much more meat to this discussion, of course, but I think I’ll let this be the final word. For now, at any rate. But I’d love to hear your thoughts on the matter.

Oh. A P.S.: Here’s the individual titles in the Series;-)

  • Mørkets troubadour (eng. The Bard of Darkness)
  • Drømmenes arkitekt (eng. The Architect of Dreams)
  • Skyggernes magister (eng. The Magister of Shadows)
  • Tågernes fyrste (The Lord of Mists)